The Farce of a Superficial Theft

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“Well there are times when one would like to hang the whole human race and finish the farce.”  Mark Twain (from Goodreads)

Falling under the category of “you can’t make this stuff up,” was the report of the recent theft of two Damien Hirst dot paintings from a gallery in the Notting Hill district of London.  The two paintings were rather simply lifted right off the wall in plain view of a video camera and multiple street windows.  What I can’t get over is why?  Someone just needed to have some dots really, really badly, I guess.  These dots weren’t that valuable compared to other recent art heists.  Maybe we have been light of entertainment lately in the art world?

The video of the theft is hilarious at the very least (see below).  Even a six year old could have done this heist.  Unfortunately, illusionist Derren Brown (story from The Drum) was forced to disavow any knowledge of the heist because of an ill timed Tweet.  Judging by the video, it would be a major stretch to accuse this thief of being anything remotely resembling an illusionist.  Had Brown been part of this theft, his vociferous denial would be from a need to save his reputation from accusations of imitating an illusionist than from the commission of a crime.

Screen shot 2013-12-15 at 8.17.39 PMDigging a little deeper into Hirst’s recent past, unearths a spat between the artist and a teenager over the lifting of a few pencils from a Hirst exhibit at the Tate.  (The Independent has the story.)  This spat also conjures up visions of six year olds.  It seems the teen, who goes by the name Cartraine, had used an image of a Hirst artwork to make collages he then sold over the internet.  That had set off a firestorm from Hirst leading to legal action against the teen.  In retaliation, the teen stole a few pencils from a large Hirst installation (seen in the photo from The Independent) on exhibit at the Tate.  So incensed was Hirst over the pencil theft, he had the teen and the teen’s father arrested and charged with theft of the pencils.  Seems a bit like killing a mosquito with a sledgehammer, to me but it’s been a long time since I was six years old.

Topping off the hilarity is the article on the heist for The Guardian by Jonathan Jones.  To add insult to Hirst’s injury, Jones states, “Will history miss these pieces?’” My guess would be, “No!”  Who’s going to miss a few dots?  But its Jones’ final bit that deals the killing blow to this heist.  “Hirst’s spots are icons of superficiality for a superficial age.  In that sense, they are contemporary classics.  But I wouldn’t cross the road to nick one.”  Neither would I.  Or I doubt you would either, for that matter.  Cue the clowns.  It’s time to end this superficial farce.

Youtube has the full theft video:

More from Sky news: here.

Top photo from The Guardian

Waiting for Lightening

You can’t wait for inspiration. Sometimes you have to go after it with a club.” ~ Jack London (from shot 2013-10-06 at 11.39.42 AM

Do you have those days where you are just unable to get started?  The motivation just isn’t there.  Or maybe you stand in front of a blank canvas and can’t pick up the brush.  You want to work but lack the push.  Ahh, yes, happens to us all!  What can you do when those times come?

The number one key is to do something, anything.  As the blog Dubspot states, “The main thing is to turn up!”  Make the effort to get to your workspace and not give in to the doldrums.  And make it a regular thing as if you are punching a time clock.  Dubspot states Mark Twain was once asked if he had to wait for inspiration to come before writing.  “Yes, I do,” he replied, ‘but inspiration always comes at 9 am sharp, every weekday!”

Seattle artist, Alicia Tormey, states much the same thing when in her blog, she writes the most important thing for an artist to do is show up in the studio.  Tormey says to go to the studio even it is only to organize the brushes.  Again, the point is to make the effort even if you don’t feel like it.

Things seem to shift when you focus the energy on the work.  Eventually, it moves and inspiration flows.  Sometimes the best things happen when you feel the least like creating.  That happened for me recently when I had to make the effort for a project with a timeline.  I just didn’t feel like it.  I ended up talking on the phone while painting and letting it flow without thinking about what I was doing.  A shift in the painting occurred!  Maybe I should talk on the phone while working more often instead of waiting for inspiration to strike.

For more on finding inspiration visit The Empty Easel