“Painting from nature is not copying the object, but realizing one’s sensations.” Paul Cezanne (from The Painters Keys)
Seasonal changes and their effects on artists are likely as different as one artist’s work is from another. Copying nature improves with practice. The tough part is the “realizing one’s sensations” part. Each season brings new and different sensations. It takes a conscious effort to realize those sensations. Translating the realizations into art is easier said than done. Copying is not the same thing as imparting sensation into a painting.
To realize one’s sensations into art is a topic for some concentration. Opinions abound on how to get in touch with one’s senses. It’s not the practice that matters. It’s taking the time to experience the sights, the smells, the tastes, the touch, and the sounds. In spring, the new green leaves are more intensely green in the spring. The smells are freshness, new growth. The tastes are raindrops coaxing out the new growth. The touch is the softness of tender new shoots. The sounds are the breezes scattering the petals of the newly blooming flowers of the trees. Summer brings a whole new set of sensations. Fall another and winter still another.
Realizing the sensations is one thing. Translating them to art is another. One can describe sensations, talk about them, think about them. But can one put them on paper or canvas? It is a high goal. I wish someone would figure out a way to bottle it. It would be so much easier. Open a bottle of Sensation Realization and pour it over the canvas. Presto! Instant sensation. Somehow, that just doesn’t translate as anything with real feeling. It sure sounded good. One can always hope. And in the meantime, keep calm and continue painting.
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